Inspired by classic mysticism and folklore, Moonshore is a font rooted in ancient traditions of magic, nature, and children’s stories that warn of the dangers lurking within dark woods.
MyFonts / Creative Market / Envato / Studio 2am / Fontspring
A font that nobody was waiting for! Starting as an experiment with triangular shapes, this font became reminiscent of German Expressionist cinema, 90s cartoons, and a dash of horror.
A blackletter typeface inspired by Gothic literature, horror, and brooding dark romance. It can evoke both devotion and dread, for designs that cross worlds of both beauty and beast.
Creative Market / Studio 2am / MyFonts / Envato / Fontspring
A hand-drawn horror font inspired by 80s movies, video games, comics, ninjas, and weekends at the video store. It’s supplied in contrasting regular and all-caps versions,, evoking a fun and nostalgic feel.
MyFonts / Creative Market / Fontspring / Envato / Studio 2am
These fonts aren’t normal.
Illustrative fonts by Christopher King – Designed for cinematic title treatments, used and trusted by global entertainment brands.
Inspired by a childhood filled with comic books, films and endless drawing, my 20-year career has spanned projects that include traditional publishing, video games, album covers, and commercial brands. Along the way I’ve developed skills in illustration, graphic design and motion graphics.
Over the past decade, a focus on the world of film and television has led to collaborations with major studios on cinematic title designs and branding projects for the likes of Marvel, Disney, and Universal Studios. I work independently from my home studio in rural Somerset, and look for projects that share my handmade, fun-loving, and retro aesthetic.
Screen Icons
From blockbuster films to indie press, my fonts have appeared on screens big and small. You might have already seen Endless Sunrise putting the ‘She’ in She-Hulk— its brush script design blazing across the logo. I often spot my fonts in unexpected places, but nothing beats the thrill of seeing them at work in main titles and trailers, such as the recent horror remake Wolfman and Marvel’s Venom: Last Dance.
Recent client work includes a collaboration to announce the revamped Apple Arcade, as well as title design concepts for Amazon’s Red One and the Netflix series Senna. I’m proud to see my fonts used by fellow illustrators to complement their own work too—such as in the amazing poster art by Phantom City Creative promoting one of my all-time favourite films, The Return of the Living Dead.












































